Pierre Boulat

Inspired Homes / 8 – Hector Berlioz’s

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A refuge for Passions

The Côte-Saint-André is, in Dauphiné, a quiet village where the most famous French romantic composer, also prophet of the music of the twentieth century. A bourgeois residence, built at the end of the 18th century, with its stone staircases, exposed beams and a glass door leading to a wooden balcony, which connects all the rooms on the first floor and overlooks a small courtyard where a fountain murmuring. Berlioz loved the living room with walls full of ancestral portraits and the cluttered library of classical books.

His father, Dr. Louis-Joseph Berlioz, though an unambitious doctor, was a cultured humanist, an ultra-royalist, anti-Napoleonic and, moreover, an unbeliever. He taught him rhetoric and philosophy as well as medicine. “If you promise me,” said the doctor to his son he wanted to become a doctor, “to seriously undertake your osteology course, I will bring from Lyon for you a magnificent flute …”

Rather small in size, wild red-haired blond, nose like a bird’s beak, thin and tight lips, tough, this son of provincial bourgeois was bored in the family home. And dreaming of a fate. When he left at the age of 18, his only belongings were a flageolet, a flute and a guitar: the music already inhabited it. He will never come back to live there. But in this house, he already wore in him what would become one of his masterpieces as an accursed artist, his “Symphonie Fantastique”.