Pierre Boulat
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Les Lalanne
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François Xavier working on his Rhino bath tube in his atelier in Ury, France -
Les Lalanne
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François Xavier working on the polish of his Rhino bath tube in his atelier in Ury, France While working as an interior decorator François Xavier acquired the techniques work on different materials. Here he is weliding, adjusting and polshing the nose of the hippopotamus. -
Les Lalanne
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François Xavier working with his assistant, on his Rhino bath tube in his atelier in Ury, France. François Xavier is proud to say that despite it's numerous soldered joints, the Rhino does not leaks -
Les Lalanne
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Claude Lalanne working in her studio, in Ury, France - "My studio is a real mess", says Claude proudly. She creates in taking objects out of the chaos. She specializes in electrolise. Here working on a leaf. She also loves to make pieces from casts of her daughter Caroline -
Les Lalanne
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Claude Lalanne working in her studio in Ury on Caroline's head in copper made after a wax cast. -
Les Lalanne
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Claude Lalanne working in her studio in Ury on Caroline's head in copper made after a wax cast. -
Les Lalanne
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Claude Lalanne working in her studio in Ury. Caroline's head in copper made after a wax cast. -
Les Lalanne
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Sword for a Member of the French Academy, made with leaves and various little things coming from Claude Lalanne's odds and ends. -
Les Lalanne
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François Xavier's project for a golf course. -
Les Lalanne
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François Xavier's giant head in the courtyard of Jean Vilar's college in Grigny -
Les Lalanne
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Children having fun on the Giant pigeons by François Xavier Lalanne in Grigny, La Grande Borne. -
Les Lalanne
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Children having fun on the Giant pigeons by François Xavier Lalanne in Grigny, La Grande Borne. -
Les Lalanne
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Fly-Toilet by François Xavier Lalanne -
Les Lalanne
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The traditional 19th century writing-desk, called "back of a donkey" has inspired François Xavier for this donkey-writing-desk presently at the Comtesse de Noailles' home in Fontainebleau. -
Les Lalanne
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Giant bird in the garden of the Comtesse de Noailles in Fontainebleau -
Les Lalanne
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A bird-rocking chair by François Xavier -
Les Lalanne
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François Xavier's Rhino bath tub in the house of the widow of Marcel Duchamp, near Paris. Since she bought it she saw her water consumption grow. She can not help her friends, as the composer John Cage, wading in it. -
Les Lalanne
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Those two ostriches by François Xavier Lalanne are made for a bar. The ostriches hide partitions for the ice bottles. In the egg, the ice remains frozen. -
Les Lalanne
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Sheep for chairs by François Xavier Lalanne -
Les Lalanne
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Knives, forks and spoons drawn for Alexandre Iolas by Claude Lalanne -
Les Lalanne
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Baby's hands coming our of a nut, by Claude Lalanne -
Les Lalanne
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Tea-pot by Claude Lalanne -
Les Lalanne
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This floating duck, the Metaphore, is a project for a fly-boat or a vaporetto. -
Les Lalanne
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Wind rabbit by François Xavier -
Les Lalanne
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A marmot made by Claude in 1970 -
Les Lalanne
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The French Ministry of Health had ordered this bird but finally rejected it afraid that it could be taken as an advertisement for the contraception pill. -
Les Lalanne
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Copper clay of a breast by Claude Lalanne, created for the 1969 Winter Collection of Yves Saint Laurent -
Les Lalanne
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Copper clay of a waist by Claude Lalanne, created for the 1969 Winter Collection of Yves Saint Laurent -
Les Lalanne
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A part of a head, by Claude Lalanne -
Les Lalanne
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Caroline, Claude's daughter, by Claude Lalanne -
Les Lalanne
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Apple with lips and bracelet with lips by Claude Lalanne -
Les Lalanne
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Sword for a member of the French Academy, by Claude Lalanne -
Les Lalanne
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A centaur taken out from Lalanne's home in Ury -
Les Lalanne
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Claude and François Xavier with the minotaure in sand quarry near Fontainebleau -
Les Lalanne
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Claude on the right, François Xavier on the left are sitting on the camels, with the minotaure in background, in a sand quarry near their home. -
Les Lalanne
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Claude and François Xavier on Claude's love-chair, in a sand quarry near their home. In background the minotaure and two camels
Les Lalanne
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For Smithsonian Magazine – 1976
Known individually and collectively since the 1960’s, Les Lalanne developed a style that defines inventive, poetic and surrealist sculpture. Casting forms from life, then employing electro-plating techniques, Claude Lalanne achieves delicacy and sensitivity in her work unparalleled in cast bronze. François-Xavier Lalanne similarly found inspiration for his works in nature. In his words, “The animal world constitutes the richest and most varied forms on the planet.” His subjects consist of a menagerie of animals, stylized forms oftentimes married with functionality. His works achieve streamlined elegance in their profound simplicity.